As a 3D analog to various 2D painting applications, 3DCoat`s Painting Room allows you to quickly create detailed textures for your models. All tools should be familiar if you are familiar with Photoshop tools. Using layers to create seamless textures of organic characters, mechanical objects, or landscape elements with a familiar brush-based interface. <\/p>\n\n\n\n
With Painting Room, you can create multiple types of textures simultaneously: Diffuse\/Albedo Color, Glossiness\/Metalness, and Depth (which can be exported as Bump, Displacement, or Normal Maps).
Color layers can also be exported as other maps, including Vertex Weight Maps, Emissive\/Luminosity Maps, and more.<\/p>\n\n\n\n
Whenever increased precision is required, use the Stroke Mode<\/a> Spline and Line-based Brush tools. From this same Panel, utilize the Stamp tool to place repetitive Brush shapes.<\/p>\n\n\n\n Maximizing productivity, Smart Materials<\/a> composed of separate maps at Painting Room allows you to create PBR textures simultaneously. Using 3DCoat Smart Materials<\/a> on colors and values, paint texture channels simultaneously (depth, color, glossiness), specular, and metalness.<\/p>\n\n\n\n When you need to paint very detailed and precise textures but not displacement, choose the PerPixel Painting<\/a> texturing mode. At paint when 3DCoat uses Mip Maps? Menus for the Painting<\/a> Top Bar Tool Parameters<\/a> Left tool panel<\/a><\/strong> Painting Layers<\/a><\/strong> Painting with Smart Materials<\/a><\/strong> Color Picker, Image color panel & Custom Color Palettes<\/a><\/strong><\/p>\n\n\n\n Painting Shortcuts<\/a><\/strong><\/p>\n\n\n\n Viewport Navigation & Hotkey Assignment<\/a>:<\/strong> This video covers the subjects of Viewport Navigation in 3D Coat, as well as assigning matching hotkeys in 3DCoat to tools like them in Photoshop.<\/p>\n\n\n\n Import paint<\/a>ing In 3DCoat, you cannot triangulate a mesh directly within the Paint Room after a model has been imported and set up for texturing. Triangulate via the Retopo Room<\/strong><\/p>\n\n\n\n Alternative: Triangulate on import<\/strong><\/p>\n\n\n\n If you want the mesh to be triangulated from the very beginning, you can use the option in the import dialog.<\/p>\n\n\n\n Viewport Navigation & Hotkey Assignment<\/a>:<\/strong> This video covers the subjects of Viewport Navigation in 3D Coat, as well as assigning matching hotkeys in 3DCoat to tools like them in Photoshop.<\/p>\n\n\n\n How to swap UVs<\/a>:<\/strong> This video covers one easy method in 3DCoat, to modify a model’s UVs after doing some texture painting work without any penalty.<\/p>\n\n\n\n Sketching in 3DCoat<\/a>:<\/strong> This video begins a brief series demonstrating 3D Coat’s Sketching capabilities and unique appeal as a Sketching tool in any artist’s pipeline. Quick Start: Painting Workspace<\/a><\/strong><\/p>\n\n\n\n PhotoShop-Centric UI<\/a>:<\/strong> This video begins a series covering the Painting Tools and showing some common elements between Photoshop and 3DCoat.<\/p>\n\n\n\n Live Photoshop Connection<\/a>:<\/strong> This video demonstrates the link between 3DCoat’s Painting Workspace and Photoshop. Alternatively, you can assign a different Image Editing application instead of Photoshop (EDIT menu, Preferences, General Tab, External 2D Editor), as long as it can edit PSD files.<\/p>\n\n\n\n Krita and 3DCoat workflow<\/a>:<\/strong> Krita and 3DCoat can work seamlessly together and exchange layered images with just a few mouse clicks. Krita is known as the \u201cPhotoshop replacement on Linux\u201d. See http:\/\/www.krita.org\/<\/a> for more information about Krita.<\/p>\n\n\n\n PBR texture conversion<\/a>:<\/strong> how content created for traditional shaders can be converted to PBR shaders, how to convert content from one PBR workflow to another, and explain the various differences in modern workflows.By Joe Wilson.<\/p>\n\n\n\n Clear All Unused Painting Layers<\/a>:<\/strong> This video covers a small but helpful workflow enhancement in the Painting Workspace of 3DCoat. If one needs to re-attempt the Texture Baking process, the objects and painting layers need to be cleared first to prevent duplicates. This tool helps speed up clearing the Painting Layers\u2026with a single click.<\/p>\n\n\n\n Quick Tip AO Baking Troubleshooting<\/a>:<\/strong> This video demonstrates a Quick Tip about troubleshooting AO baking in 3DCoat, should a user encounter an unreasonable amount of lag.<\/p>\n\n\n\n Tip for Fixing Visual Anomalies<\/a><\/strong><\/p>\n\n\n\n Alpha import<\/a>:<\/strong> How to import a texture to be used as layer transparency information (Alpha channel) inside 3DCoat. Actually, importing alpha information directly into 3D Coat is impossible, but it shows a short workaround to do it anyway. Texturing Showcases<\/strong><\/a><\/p>\n\n\n\n PBR painting test<\/a>:<\/strong> A quick base demo of the new painting system. By DoctorDanko.<\/p>\n\n\n\n PBR texturing in 3DCoat<\/a>:<\/strong> Big thanks to Jaakko Saari for this detailed tutorial about PBR texturing.<\/p>\n\n\n\n Texture Painting<\/a>:<\/strong> This is a demonstration of some of the more common Painting tools one might use on a similar project. It is not intended to be a tutorial on texturing painting techniques.<\/p>\n\n\n\n Hand-painted Weapon<\/a><\/strong> by Angelina Diez.<\/p>\n\n\n\n Fantasy dagger texturing tutorial<\/a><\/strong> by mikibencz.<\/p>\n\n\n\n Polypainting – Unique Sculpting Features<\/a>:<\/strong> This video begins a series highlighting some of the unique features in 3DCoat that helps set it apart. It begins by showing how 3DCoat leverages PBR Texture Painting and High Poly Sculpting simultaneously\u2026taking care of two normally time-consuming and tedious tasks at once and done rather quickly.<\/p>\n\n\n\n Painting Mesh to Sculpt Mesh<\/a>:<\/strong> This video demonstrates the steps needed to send a copy of a Painting Mesh to the Sculpt Workspace (where it becomes a Sculpt Mesh that can be voxelized or have dynamic tessellation applied to it) and bake small-scale sculpting edits back to the Painting Mesh via a new normal map.<\/p>\n\n\n\n From Painting Room to Sculpt and back again<\/a>:<\/strong> This video demonstrates a method one can use to get your model\u2026.fully displaced (with any work you may have already done using image-based sculpting)\u2026from the Painting Room to the Voxel Room to make some sculpting edits there. Applying a Decal or Image<\/a>:<\/strong> This video demonstrates three methods and toolsets for applying a decal\/logo or any image to your model.<\/p>\n\n\n\n Emissive Maps<\/a>:<\/strong> This old video demonstrates the usage of Specular Color and Emissive (Glow) Maps.<\/p>\n\n\n\n Painting tools video tutorials<\/strong><\/a><\/p>\n\n\n\n Basic Theory of Physically-Based Rendering \u2013 By Jeff Russell<\/strong><\/a><\/p>\n\n\n\n Physically Based Rendering And You Can Too! \u2013 By Joe Wilson<\/strong><\/a><\/p>\n\n\n\nPainting room features<\/a><\/h3>\n\n\n\n
\n\n\n\n\n
\n
Paint Types<\/h3>\n\n\n\n
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If you need to paint with heavier displacement values, choose the MicroVertex Painting (Displacement)<\/a> mode.
Or, you can paint without the concerns of UV Map seams with Ptex Painting<\/a>.
You can also paint vertex colors<\/a> directly on your Surface Models as well as utilize the newest texturing techniques with Voxel Painting<\/p>\n\n\n\n\n
The proper texture filtering is in the render room. In the painting room, there is no mipmapping now to speed up the real-time painting process.<\/p>\n<\/blockquote>\n\n\n\nMenus for the Painting<\/a><\/h3>\n\n\n\n
\n\n\n\n
<\/a><\/p>\n\n\n\nTop Bar Tool Parameters<\/a><\/h3>\n\n\n\n
\n\n\n\n
The upper Brush Parameters Panel contains toggles for functions like \u201cDepth, Smoothing, Opacity, and Glossiness\u201d with Conditions in the Painting Room in the form of a switchable icon (that switches between Mouse response and Tablet Response).<\/p>\n\n\n\nPainting Parameters & Toolset<\/a><\/h4>\n\n\n\n
\n\n\n\n
Depth, Color, Glossiness Channels<\/a><\/strong><\/p>\n\n\n\n
Painting Layers Blending and Mask<\/a><\/strong><\/p>\n\n\n\n
Preview Options<\/a><\/strong><\/p>\n\n\n\nImport & Export<\/a><\/h3>\n\n\n\n
\n\n\n\n
Export paint<\/a>ing<\/p>\n\n\n\nTriangulate a mesh<\/h3>\n\n\n\n
\n\n\n\n
To modify the mesh’s underlying topology, such as converting quad faces to triangles, you must use the Retopo Room.<\/p>\n\n\n\nSwitch to the Retopo Room. Click the \"Retopo\" tab at the top of the interface.\nGet the mesh from the Paint Room.\n Go to the Mesh menu at the top.\n Select Copy Mesh from the Painting room. This will copy the object from the Paint Room into the Retopo workspace.\nPerform the triangulation.\n In the Mesh menu (which appears near the top of the screen when in the Retopo room), click Apply Triangulation.\n The software will then convert all visible quad polygons on the retopo mesh into triangles.\nTransfer the changes back to the Paint Room.\n Go to the Bake menu.\n Choose an option to bake the new, triangulated mesh to the Paint Room. A common option is to use Bake with Normal Map if you have sculpted high-resolution details you want to transfer. For simple topology changes, you may not need to bake maps.\n After baking, a new version of your mesh with the updated topology will appear in the Paint Room for texturing. <\/code><\/pre>\n\n\n\nWhen importing a model for \"Per Pixel Painting,\" the import dialog window includes an option to \"Triangulate\" the mesh.\nBy checking this box during the import process, the model will be triangulated before it is even placed in the Paint Room, which can help avoid UV glitches in game engines<\/code><\/pre>\n\n\n\nHow To<\/a><\/h3>\n\n\n\n
\n\n\n\n
<\/p>\n\n\n\nTechnical Information<\/a><\/h3>\n\n\n\n
\n\n\n\n
Additionally, explain how to paint flexible alpha information and how the \u201cLinked layer\u201d function helps here. By Christoph Werner.
<\/p>\n\n\n\nPainting Examples<\/a><\/h3>\n\n\n\n
\n\n\n\n
Then bake a new, updated displacement map that can be added to the Painting Room.<\/p>\n\n\n\nTutorials<\/h3>\n\n\n\n
\n\n\n\n
![<\/a><\/p>\n\n\n\nTop Bar Tool Parameters<\/a><\/h3>\n\n\n\n\n\n\n\nTop Bar Tool Parameters<\/a>The upper Brush Parameters Panel contains toggles for functions like \u201cDepth, Smoothing, Opacity, and Glossiness\u201d with Conditions in the Painting Room in the form of a switchable icon (that switches between Mouse response and Tablet Response).<\/p>\n\n\n\nPainting Parameters & Toolset<\/a><\/h4>\n\n\n\n\n\n\n\nLeft tool panel<\/a><\/strong>Depth, Color, Glossiness Channels<\/a><\/strong><\/p>\n\n\n\nPainting Layers<\/a><\/strong>Painting Layers Blending and Mask<\/a><\/strong><\/p>\n\n\n\nPainting with Smart Materials<\/a><\/strong>Preview Options<\/a><\/strong><\/p>\n\n\n\nColor Picker, Image color panel & Custom Color Palettes<\/a><\/strong><\/p>\n\n\n\nPainting Shortcuts<\/a><\/strong><\/p>\n\n\n\nViewport Navigation & Hotkey Assignment<\/a>:<\/strong> This video covers the subjects of Viewport Navigation in 3D Coat, as well as assigning matching hotkeys in 3DCoat to tools like them in Photoshop.<\/p>\n\n\n\nImport & Export<\/a><\/h3>\n\n\n\n\n\n\n\nImport paint<\/a>ingExport paint<\/a>ing<\/p>\n\n\n\nTriangulate a mesh<\/h3>\n\n\n\n\n\n\n\nIn 3DCoat, you cannot triangulate a mesh directly within the Paint Room after a model has been imported and set up for texturing. To modify the mesh’s underlying topology, such as converting quad faces to triangles, you must use the Retopo Room.<\/p>\n\n\n\nTriangulate via the Retopo Room<\/strong><\/p>\n\n\n\nSwitch to the Retopo Room. Click the \"Retopo\" tab at the top of the interface.\nGet the mesh from the Paint Room.\n Go to the Mesh menu at the top.\n Select Copy Mesh from the Painting room. This will copy the object from the Paint Room into the Retopo workspace.\nPerform the triangulation.\n In the Mesh menu (which appears near the top of the screen when in the Retopo room), click Apply Triangulation.\n The software will then convert all visible quad polygons on the retopo mesh into triangles.\nTransfer the changes back to the Paint Room.\n Go to the Bake menu.\n Choose an option to bake the new, triangulated mesh to the Paint Room. A common option is to use Bake with Normal Map if you have sculpted high-resolution details you want to transfer. For simple topology changes, you may not need to bake maps.\n After baking, a new version of your mesh with the updated topology will appear in the Paint Room for texturing. <\/code><\/pre>\n\n\n\nAlternative: Triangulate on import<\/strong><\/p>\n\n\n\nIf you want the mesh to be triangulated from the very beginning, you can use the option in the import dialog.<\/p>\n\n\n\nWhen importing a model for \"Per Pixel Painting,\" the import dialog window includes an option to \"Triangulate\" the mesh.\nBy checking this box during the import process, the model will be triangulated before it is even placed in the Paint Room, which can help avoid UV glitches in game engines<\/code><\/pre>\n\n\n\nHow To<\/a><\/h3>\n\n\n\n\n\n\n\nViewport Navigation & Hotkey Assignment<\/a>:<\/strong> This video covers the subjects of Viewport Navigation in 3D Coat, as well as assigning matching hotkeys in 3DCoat to tools like them in Photoshop.<\/p>\n\n\n\nHow to swap UVs<\/a>:<\/strong> This video covers one easy method in 3DCoat, to modify a model’s UVs after doing some texture painting work without any penalty.<\/p>\n\n\n\nSketching in 3DCoat<\/a>:<\/strong> This video begins a brief series demonstrating 3D Coat’s Sketching capabilities and unique appeal as a Sketching tool in any artist’s pipeline.<\/p>\n\n\n\nTechnical Information<\/a><\/h3>\n\n\n\n\n\n\n\nQuick Start: Painting Workspace<\/a><\/strong><\/p>\n\n\n\nPhotoShop-Centric UI<\/a>:<\/strong> This video begins a series covering the Painting Tools and showing some common elements between Photoshop and 3DCoat.<\/p>\n\n\n\nLive Photoshop Connection<\/a>:<\/strong> This video demonstrates the link between 3DCoat’s Painting Workspace and Photoshop. Alternatively, you can assign a different Image Editing application instead of Photoshop (EDIT menu, Preferences, General Tab, External 2D Editor), as long as it can edit PSD files.<\/p>\n\n\n\nKrita and 3DCoat workflow<\/a>:<\/strong> Krita and 3DCoat can work seamlessly together and exchange layered images with just a few mouse clicks. Krita is known as the \u201cPhotoshop replacement on Linux\u201d. See http:\/\/www.krita.org\/<\/a> for more information about Krita.<\/p>\n\n\n\nPBR texture conversion<\/a>:<\/strong> how content created for traditional shaders can be converted to PBR shaders, how to convert content from one PBR workflow to another, and explain the various differences in modern workflows.By Joe Wilson.<\/p>\n\n\n\nClear All Unused Painting Layers<\/a>:<\/strong> This video covers a small but helpful workflow enhancement in the Painting Workspace of 3DCoat. If one needs to re-attempt the Texture Baking process, the objects and painting layers need to be cleared first to prevent duplicates. This tool helps speed up clearing the Painting Layers\u2026with a single click.<\/p>\n\n\n\nQuick Tip AO Baking Troubleshooting<\/a>:<\/strong> This video demonstrates a Quick Tip about troubleshooting AO baking in 3DCoat, should a user encounter an unreasonable amount of lag.<\/p>\n\n\n\nTip for Fixing Visual Anomalies<\/a><\/strong><\/p>\n\n\n\nAlpha import<\/a>:<\/strong> How to import a texture to be used as layer transparency information (Alpha channel) inside 3DCoat. Actually, importing alpha information directly into 3D Coat is impossible, but it shows a short workaround to do it anyway.Additionally, explain how to paint flexible alpha information and how the \u201cLinked layer\u201d function helps here. By Christoph Werner.<\/p>\n\n\n\nPainting Examples<\/a><\/h3>\n\n\n\n\n\n\n\nTexturing Showcases<\/strong><\/a><\/p>\n\n\n\nPBR painting test<\/a>:<\/strong> A quick base demo of the new painting system. By DoctorDanko.<\/p>\n\n\n\nPBR texturing in 3DCoat<\/a>:<\/strong> Big thanks to Jaakko Saari for this detailed tutorial about PBR texturing.<\/p>\n\n\n\nTexture Painting<\/a>:<\/strong> This is a demonstration of some of the more common Painting tools one might use on a similar project. It is not intended to be a tutorial on texturing painting techniques.<\/p>\n\n\n\nHand-painted Weapon<\/a><\/strong> by Angelina Diez.<\/p>\n\n\n\nFantasy dagger texturing tutorial<\/a><\/strong> by mikibencz.<\/p>\n\n\n\nPolypainting – Unique Sculpting Features<\/a>:<\/strong> This video begins a series highlighting some of the unique features in 3DCoat that helps set it apart. It begins by showing how 3DCoat leverages PBR Texture Painting and High Poly Sculpting simultaneously\u2026taking care of two normally time-consuming and tedious tasks at once and done rather quickly.<\/p>\n\n\n\nPainting Mesh to Sculpt Mesh<\/a>:<\/strong> This video demonstrates the steps needed to send a copy of a Painting Mesh to the Sculpt Workspace (where it becomes a Sculpt Mesh that can be voxelized or have dynamic tessellation applied to it) and bake small-scale sculpting edits back to the Painting Mesh via a new normal map.<\/p>\n\n\n\nFrom Painting Room to Sculpt and back again<\/a>:<\/strong> This video demonstrates a method one can use to get your model\u2026.fully displaced (with any work you may have already done using image-based sculpting)\u2026from the Painting Room to the Voxel Room to make some sculpting edits there.Then bake a new, updated displacement map that can be added to the Painting Room.<\/p>\n\n\n\nApplying a Decal or Image<\/a>:<\/strong> This video demonstrates three methods and toolsets for applying a decal\/logo or any image to your model.<\/p>\n\n\n\nEmissive Maps<\/a>:<\/strong> This old video demonstrates the usage of Specular Color and Emissive (Glow) Maps.<\/p>\n\n\n\nTutorials<\/h3>\n\n\n\n\n\n\n\nPainting tools video tutorials<\/strong><\/a><\/p>\n\n\n\nBasic Theory of Physically-Based Rendering \u2013 By Jeff Russell<\/strong><\/a><\/p>\n\n\n\nPhysically Based Rendering And You Can Too! \u2013 By Joe Wilson<\/strong><\/a><\/p>\n\n\n\n3DCoat Scene Setup for Painting:<\/strong> <\/a><\/p>\n\n\n\n<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":2072,"menu_order":0,"template":"","manualdocumentationcategory":[9],"manual_doc_tag":[],"class_list":["post-2074","manual_documentation","type-manual_documentation","status-publish","hentry","manualdocumentationcategory-manual"],"yoast_head":"\nPaint - 3DCoat Documentation<\/title>\n<meta name=\"description\" content=\"3DCoat Paint Room makes creating detailed textures for your models extremely fast. 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