{"id":2294,"date":"2022-09-19T19:30:07","date_gmt":"2022-09-19T19:30:07","guid":{"rendered":"https:\/\/3dcoat.com\/documentation\/?post_type=manual_documentation&p=2294"},"modified":"2026-04-20T17:10:06","modified_gmt":"2026-04-20T17:10:06","slug":"exporting-from-the-paint-room","status":"publish","type":"manual_documentation","link":"https:\/\/3dcoat.com\/documentation\/manual\/workspaces-rooms\/paint\/exporting-from-the-paint-room\/","title":{"rendered":"Vienti Painting"},"content":{"rendered":"\n

Painting voidaan suorittaa vain kaksi export :
1. Export monikulmiomalli Retopo ty\u00f6tilassa m\u00e4\u00e4ritetyll\u00e4 tavalla.
2. Export kaikki Painting Workspacessa<\/strong> luodut maalatut pintakuviot.<\/p>\n\n\n\n

Ilman UVs ei ole tekstuuria export.
UV asettelu m\u00e4\u00e4ritt\u00e4\u00e4, kuinka 2D-kuva tai pintakuviokartta k\u00e4\u00e4rit\u00e4\u00e4n 3D-pinnalle.
UVs tarvitaan yleens\u00e4 vasta, kun aloitat pintakuvioiden maalaamisen tai haluat bake tavallisia karttoja.<\/p>\n\n\n\n

Kaikki Painting sis\u00e4ltyv\u00e4t eri tasoihin, jotka on luotu Painting<\/strong> .
N\u00e4m\u00e4 tiedot ovat viiden UV peruskartan<\/strong> muodossa, jotka luodaan samalla, kun maalaat tiedot veistokseesi.<\/p>\n\n\n\n

Kuten UV ty\u00f6tilasta viet\u00e4ess\u00e4,<\/strong> se on asetettava muotoon, jonka muut sovellukset ymm\u00e4rt\u00e4v\u00e4t.
T\u00e4m\u00e4 muoto on UV kartan muoto. Erilliset kartat tallennetaan kullekin viidelle pintakuvioluokalle, jotka olet luonut maalaamalla mallillesi:
Diffuusi v\u00e4ri, kiiltov\u00e4ri, emissiivinen intensiteetti, normaali (kuhmu) ja siirtym\u00e4tiedot. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

Aktivoi Export constructor<\/em> -komento n\u00e4hd\u00e4ksesi viennin export <\/p>\n\n\n\n

\n\n\n\n

Siirtym\u00e4kartan vieminen Vaiheittainen<\/a><\/strong> video, joka n\u00e4ytt\u00e4\u00e4 kuinka tuodaan sis\u00e4\u00e4n matala poly UV’d -objekti ja veistet\u00e4\u00e4n siihen lis\u00e4yksityiskohtia, ja kuinka sitten bake displacement map ja tarkastellaan sit\u00e4 Industry Tutsin matalan poly-mallin mallissa.<\/p>\n\n\n\n

Siirtym\u00e4 vied\u00e4\u00e4n k\u00e4ytt\u00e4m\u00e4ll\u00e4 huipun sijainnin ja sen sijainnin kerroksen 0 v\u00e4list\u00e4 eroa.
Vertice-paikat otetaan tasosta 0. T\u00e4m\u00e4 on suositeltu vaihtoehto matalan poly- export.<\/p>\n\n\n\n

Siirtyminen perustuu aina kerrokseen 0. Mutta vietyjen OBJ-tiedoston k\u00e4rkien sijainnit riippuvat valinnastasi. On parempi k\u00e4ytt\u00e4\u00e4 t\u00e4llaisia export yhdistelmi\u00e4:<\/p>\n\n\n\n

– sarja 1:<\/strong><\/p>\n\n\n\n

[x] K\u00e4yt\u00e4 l\u00e4hdepaikkoja
[ ] Valitse paikat tasosta 0
[ ] Karkeaa\u2026<\/p>\n\n\n\n

K\u00e4yt\u00e4 sit\u00e4, jos kerros 0 ei ole v\u00e4\u00e4ristynyt.<\/p>\n\n\n\n

– sarja 2:<\/strong><\/p>\n\n\n\n

[ ] K\u00e4yt\u00e4 l\u00e4hteen paikkoja
[x] Valitse paikat tasosta 0
[x] Karkeaa\u2026<\/p>\n\n\n\n

K\u00e4yt\u00e4 sit\u00e4, jos kerros 0 on v\u00e4\u00e4ristynyt. Poiminta tasolta 0 tallentaa uudet paikat, karkea valmistelee sen jatkojakoa varten.<\/p>\n\n\n\n

Mutta jos Layer X ei olisi normaalisti v\u00e4\u00e4ristynyt, pelkk\u00e4 export ei auttaisi. Sinun t\u00e4ytyy paistaa verkko uudelleen saadaksesi normaalin siirtym\u00e4n tai k\u00e4ytt\u00e4\u00e4 vektorisiirtoa. <\/p>\n\n\n\n

\n\n\n\n

Export Unreal-esimerkiksi Digmanilta <\/a><\/h4>\n\n\n\n

3DC-asetukset: – Karkeus\/metallisuus valitaan pintakuviointivalikosta.
– N\u00e4yt\u00e4 valikko. GGX Burley 12 (Unreal4).
– Tiedosto-valikko\u2014 Export objektit ja pintakuviot\u2014- Export paneeli- Unreal5<\/p>\n\n\n\n

(Unreal 4.27 tai 5.) Valitse import fbx ja tekstuuritiedostot . Unreal tuo normal map oikein. T\u00f6it\u00e4 ei tarvita.
Metallillisuus ja karheus tuodaan SRGB:n\u00e4. Avaa kunkin kuvan kuvank\u00e4sittelyohjelma ja poista Srgb-valinta. Tallenna kuva. Nyt ne ovat lineaarisia karttoja ja hahmontuvat oikein. Ne luetellaan lineaarisina materiaalieditorissa.
Oletusmateriaalin pit\u00e4isi olla jo luotu \u2013 avaa se kaksoisnapsauttamalla sit\u00e4.<\/p>\n\n\n\n

Ved\u00e4 kaikki tekstuuritiedostot default_material -editoriin ja sy\u00f6t\u00e4 ne oikeisiin paikkoihin.
Hae ja tallenna.<\/p>\n\n\n\n

Viimeinen kuva: Tietysti valaistus on erilainen t\u00e4ss\u00e4 yksinkertaisessa asennuksessa. V\u00e4rit ovat oikeat ja metallisuus ja karheus vastaavat l\u00e4heisesti 3DC:t\u00e4. PBR reagoi, kuten tied\u00e4t, oikein erilaisiin valaistusasetuksiin, joten valaistus on erilainen ep\u00e4todellisessa kohtauksessa ja 3DC:ss\u00e4. <\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\n\n\n\n

Opastus <\/a><\/h4>\n\n\n\n

Uusi Export<\/a> :<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":2074,"menu_order":9,"template":"","manualdocumentationcategory":[9],"manual_doc_tag":[],"class_list":["post-2294","manual_documentation","type-manual_documentation","status-publish","hentry","manualdocumentationcategory-manual"],"yoast_head":"\nExporting from the Painting Room - 3DCoat dokumentaatio<\/title>\n<meta name=\"description\" content=\"On vain 2 export , jotka voidaan suorittaa ty\u00f6skennelless\u00e4si Paint Workspacessa:1. Monikulmiomallin Export Retopo ty\u00f6tilassa m\u00e4\u00e4ritetyll\u00e4 tavalla.2. 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