Create brushes & decals

The important changes for ALPHAS: now alphas imported from images (including exr) may be mixed positive and negative, it allows making more realistic skin details. Negative alphas work for draw/extrude-like brushes in sculpt room.

Additional option: Alphas may be imported as rounds with accurate falloff, it simplifies making alphas from the raw textures a lot. This option available in alphas palette or using drag&drop.

How to create a brush (alpha)

To create a brush in a 2D painting application, you must have four layers, each corresponding with the four main channels of an Alpha brush in 3DCoat.
3DCoat use jpg, psd, tif, png, bmp, tga, exr as file format. The image size can be 256 – 512 – 1024 according to your computer specs. Color depth will be 8 bit psd or 16 bit tif.

Its important to remember that all layers must have alpha channel.

If you need to edit any already create alpha, on Brush Panel press RMB over the brush to edit it on the external editor.

The order of these Layers in the external editor is important. They are:

1. Color: This contains the Brush color as well as its corresponding Transparency mask. This mask affects the Glossiness Layer, as well.
2. Height/Depth: image-based painting affects displacement for sculpting and height/depth. The “zero” height of this Layer corresponds to “middle gray” or (127, 127, 127). Darker values corresponding to the concave areas will create valleys, and lighter values corresponding to convex areas will create peaks.
3. Specular: White represents maximum Specular. Black represents absolutely no Specular, with shades of gray representing intermediate values. The Color layer of the Alpha’s alpha transparency also determines where Specular painting occurs.
4. Erase Mask: This layer is used to create alphas that ignore certain values in other layers while painting. Remember that this mask affects the lowest Layer in the list and is active when you erase painted areas using Ctrl+Shift.

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Creating alpha using tiff format by Emi:

You can’t compare edit with PSD vs Tiff, PSD will be 8Bit, Edit in ext. editor will do PSD so it is 8bit, if you want to edit the 16bit, you must use the multilayer .tiff implementation, nothing else. and that’s where the trouble happens, because it uses Channels rather than layers. so you can’t think about Color, HeightMap, Specular and EraseMask like on the PSD version, you can’t just grab the PSD go 16bit and save it and import it either, you have to think about the channels and the order that they are done in Photoshop, which is what matters there.

– If all the .tiff channels are used, they will be imported and used according to the table below.
– If you only use some of the available channels, those you import will also be used according to the table below.

1. CH: A&H
2. CH: 1 – A 2 –H
3. CH: 1, 2, 3 – RGB, 2 – A, H
4. CH: 1, 2, 3 – RGB, 4 – A, H
5. CH: 1, 2, 3 – RGB, 4 – A, 5 – H
6. CH: 1, 2, 3 – RGB, 4 – A, 5 – H, 6 – Spec
7. CH: 1, 2, 3 – RGB, 4 – A, 5 – H, 6 – Spec, 7 – Erase mask

So using the alpha created as 16bit .tif in 3DCoat does exactly what the list says, since it only has a single gray channel, it will be converted to Alpha and Height by 3DCoat.
After that if you if you right click edit 16bit tiff and use photoshop, then the edit version will be the 7 channels version. so the first 3 will be white since there is no color information, Channel 4 will display the Alpha, 5 the Height, and 6 would be white and 7 black. But yes, you need to work on the extra Alpha channels. and the order of those channels will matter.

So you can duplicate and manipulate and paint on the alpha channel, it works okay I guess, but it’s a weird system to have, especially when it is mostly compatible with Photoshop.

I could also make Gimp do the same as Photoshop, but the problem with Gimp is how it exports the Tiff, it just won’t work, Exports 16bit but only the RGBA which would explain why the alpha would look different if you use to Edit 16bit Tif on 3DCoat and send it to Gimp since it is not using the channels correctly, and only the RGBA which is darker.

But I manually achieved the same channels you get in Photoshop when you edit on 16bit Tiff.  First had to hide all the extra channels on the bottom, then I right clicked on the alpha and duplicated it, it will appear at top of the list of extra channels but it has to be on the bottom bottom, which would be the Channel 4 in Photoshop because it goes from bottom to top. Now the problem is the Height is darker than what you would get in Photoshop, so to fix it all I did was to paint in white color the RGB to remove the alpha and make it a solid color, then having RGBA visible and TIFF Channel (which now is 2nd from bottom to top) I duplicate the channel and it creates a lighter version of it, put it on second place (from bottom to top) and delete the old Tiff channel. Now it will look exactly the same in Photoshop but guess what? You can’t use Tiff with Gimp and Gimp exports PSD as 8bit not 16bit for whatever reason so it won’t work like I thought it would.

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How to import the new alpha brush into 3DCoat

Import the created brush into 3Dcoat pressing the plus icon on the folder on Brush Panel, or into a new created personal folder.

You can also drag and drop the pic into the viewport. A popup show up that let you select some options:

Create new alpha: Use this option to create a new traditional alpha.
Create rounded alpha: It is an important option to make alpha from the raw texture. It takes the top left pixel as zero height and cuts the image with the soft round. The resulting alpha is well-suitable to apply the additional falloff if needed.
Create new strip: Use this option to create new strip alpha.
Cancel: cancel the import.

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Decals look faded

The reason your decals/brushes look faded is that when you import a texture to 3D Coat as a brush, if the texture has no alpha channel, 3DCoat will try to generate one based on the combined luminance of the existing red, green, and blue channels (which it will then also uses for the depth map, etc.). (Fluffy has written this article)

This means that if you import a color texture rather than a black-and-white image, the alpha channel that’s generated will vary in opacity based on the brightness of the image, which is why the red pixels in your texture are showing up as semi-transparent (because they aren’t white).  If you hover your mouse over a brush, you can see each of the channels/maps that are associated with that brush; here’s an example brush I just made (using 8 bits per channel, 24-bit .BMP file format)…

and here’s the same brush but with an alpha channel added to the texture (also 8-bits per channel but using 32-bit .TGA file format)…

As you can see, the Alpha of the brush created using the texture without an alpha channel is grey rather than white, so whenever you use it, the results will appear faded, whereas the brush created using a texture with an alpha channel appears completely opaque when used…

So, in order to create opaque 3D Coat brushes using color textures, you have to include an alpha channel.

As for creating alpha channels in Corel Painter, I only have a license for Painter 2018 but assuming they haven’t made any dramatic changes, you can save to PNG complete with the alpha channel by simply hiding your canvas layer, so you have a transparent background…

then choose Save As from the file menu, select the. PNG file format from the drop-down menu, and make sure you enable the Save Alpha checkbox…

after which, you can import the texture as a brush in 3D Coat, and the transparency of the layer you exported should appear as the alpha channel of the new brush…

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Create a Brush from a 3D Object

By clicking on the Folder icon in the Brush Tab, you can import a number of file formats in to be used as a pen.

You can also drag & drop the 3D model into the viewport and select it from these commands

Create alpha for 3D object menu popups showing these options:

You can see the editing viewport for importing a 3D mesh in the image. The model can be rotated, moved, and scaled. Rotate the model by pressing LMB, move the model while holding SPACE, scale it with RMB, and rotate within the screen frame using the combination of ALT+LMB.

Creating a 3D Brush: This video demonstrates how to take a model you already have on your hard drive or create one directly in 3DCoat to use as a 3D Brush; replicating the object along your brush stroke.

You can choose texture size and image proportions. The use of non-square images is especially handy when creating strips, as described below. Using the slider in the lower right corner, you can adjust the model’s level of dipping into the background plane, which determines the zero Brush level.

Chuot dong show in this video how to create brush from 3d file.

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Q&A

I have many custom brushes all with the same “source” brush icon.  For instance, if I used the Clay brush as a starting point for my custom brush, the modified custom brush in my presets has the Clay brush icon.  The problem is that I have four “Clay” brush icons in my presets and I have to look at the name to determine which modification I want. 

Is there a way to assign different custom brushes to preset brushes?