• Português
  • Documentação 3DCoat
  • Chapters
    • Introdução ao 3DCoat
    • Começando
    • Interface e Navegação
    • Componentes do Brush
    • Espaços de Trabalho Salas
    • API de Scripting e Core API
    • Perguntas e Respostas
    • licensing
    • Tutoriais de treinamento
  • Pilgway
  • Products
    • 3DCoat
    • 3DCoatTextura
    • 3DCoatPrint
    • PBRLibrary
  • Blog Posts
  • Store
  • Português Português
    • English English
    • Українська Українська
    • Español Español
    • Deutsch Deutsch
    • Français Français
    • 日本語 日本語
    • Русский Русский
    • 한국어 한국어
    • Polski Polski
    • 中文 (中国) 中文 (中国)
    • Italiano Italiano
    • Suomi Suomi
    • Svenska Svenska
    • 中文 (台灣) 中文 (台灣)
    • Dansk Dansk
    • Slovenčina Slovenčina
    • Türkçe Türkçe
    • Nederlands Nederlands
    • Magyar Magyar
    • ไทย ไทย
    • हिन्दी हिन्दी
    • Ελληνικά Ελληνικά
    • Tiếng Việt Tiếng Việt
    • Lietuviškai Lietuviškai
    • Latviešu valoda Latviešu valoda
    • Eesti Eesti
    • Čeština Čeština
    • Română Română
    • Norsk Bokmål Norsk Bokmål
  • Creating 3D Character Using 3DCoat
  • Documentação 3DCoat
  • Chapters
    • Introdução ao 3DCoat
    • Começando
    • Interface e Navegação
    • Componentes do Brush
    • Espaços de Trabalho Salas
    • API de Scripting e Core API
    • Perguntas e Respostas
    • licensing
    • Tutoriais de treinamento
  • Pilgway
  • Products
    • 3DCoat
    • 3DCoatTextura
    • 3DCoatPrint
    • PBRLibrary
  • Blog Posts
  • Store
  • Português Português
    • English English
    • Українська Українська
    • Español Español
    • Deutsch Deutsch
    • Français Français
    • 日本語 日本語
    • Русский Русский
    • 한국어 한국어
    • Polski Polski
    • 中文 (中国) 中文 (中国)
    • Italiano Italiano
    • Suomi Suomi
    • Svenska Svenska
    • 中文 (台灣) 中文 (台灣)
    • Dansk Dansk
    • Slovenčina Slovenčina
    • Türkçe Türkçe
    • Nederlands Nederlands
    • Magyar Magyar
    • ไทย ไทย
    • हिन्दी हिन्दी
    • Ελληνικά Ελληνικά
    • Tiếng Việt Tiếng Việt
    • Lietuviškai Lietuviškai
    • Latviešu valoda Latviešu valoda
    • Eesti Eesti
    • Čeština Čeština
    • Română Română
    • Norsk Bokmål Norsk Bokmål
  • Creating 3D Character Using 3DCoat
Expand All Collapse All
  • Introdução ao 3DCoat
  • Começando
    • System requirements
    • Why 3DCoat is Unique?
    • Ativando 3DCoat
    • erro de inicialização
      • Startup error Mac
    • Color management
    • Upgrading permanent license
    • Linux Setup
      • Linux initial setup per-user installation
      • Linux initial setup for system
      • Tablet setup
      • To GTK3 from GTK2
    • Estrutura de Pastas
      • Custom documents folder
    • Diferentes formas de “resolução”
    • Tablet on Window
    • Import e Export
    • Applinks em 3DCoat
      • Link do aplicativo Blender
        • Blender with the Applink in Linux
      • Blender 4.2/3/4/5 applink
      • Max Applink
      • Houdini applink
      • Lightwave uplink
  • Navigation
    • Diálogo de abertura (Menu de início rápido)
    • Painel de navegação
    • Câmera e navegação
      • Customize Navigation as Blender
    • Viewport Navigation Gizmo
    • Left tool panel
    •  Activity Bar
    • Navegação usando dispositivos 3DConnexion
      • How to compile Spacenavd on non Ubuntu distro
    • Stylus doesn’t work in sculpting
    • Teclas de atalho
  • Interface e Navegação
    • Menu de arquivo
    • Editar menu
      • Calculate Curvature
      • Calculate Occlusion
      • Light Baking Tool
      • Preferências
    • Ver Menu
    • Simetria
    • Textures
    • Calculate
    • Menu de Camadas
    • Menu Congelar
    • Hide
    • Bake
    • Curvas 2022
      • Menu de Curvas
      • Curves Properties RMB
      • Preencher com camada de malha
      • Scale of imported curves
    • Menu do Windows
      • Painéis pop-up do Windows com guias
      • Controles deslizantes
    • Scripts
    • Addons
    • Capture
    • menu de ajuda
    • Costumização
    • Modifique ou crie uma nova sala
  • Componentes do Brush
    • Brush Barra Superior
    • Pincéis de uso geral
      • Crie pincéis e decalques
      • Fazendo alfa a partir da escultura atual
      • Crie um Brush a partir de um objeto 3D
      • Create brushes based on Curves
      • Load photoshop .abr brushes
    • Strokes
      • Menu pop-up Curvas
    • Opções de Brush
    • Limitador de Condições
    • Painel de tiras
    • Painel de estênceis
    • Materiais Inteligentes
      • Adicione novas imagens ou materiais
      • Anexe um material inteligente a uma camada
      • Import Quixel Material
    • Como criar predefinições para Brush
  • Espaços de Trabalho Salas
    • Painting
      • Painting de texturas e modos
        • Painting por Per-Pixel
        • Painting de Deslocamento (Micro-Vértice)
        • Painting Ptex
        • Painting de Superfície (Polipintura)
      • Importando para a sala de Painting
        • Initial CC subdivision
        • UV Set smoothing
        • Sharp (hard) edge
        • Bloquear normais
        • Carregar novo layout UV após alterações no modelo
        • DAZ Genesis models into 3DCoat
        • ID map
      • Menus da área de trabalho de Painting
        • Edit menu
        • Menu de Texturas
          • Ferramentas de Baking de textura
        • Esconder
        • Menu para o Bake Paint
        • O seletor de cores
      • Barra superior para a Painting
      • O Painel de Camadas
        • O Painel de Mistura
        • Layer and Clipping Masks
      • Ferramentas da sala de Painting
      • Opacidade - Transparência
      • Ajustar espaço de trabalho
        • Ajuste o conjunto de ferramentas
        • Exportando da Tweak Room
      • Painel de visualização de máscara/material
      • Exportando da sala de Painting
    • espaço de trabalho UV
      • Barra Superior UV
      • Painel de ferramentas UV Esquerda
      • Painel de visualização UV
      • exemplo de fluxo de trabalho UV
      • Importando para a sala UV
      • Exportando da Sala UV
    • Retopologia
      • Importando para a sala Retopo
      • Menu Retopo Mesh e Menu Bake
        • Modo Espelho Virtual
      • Bake menu
        • Treat Poly Groups as Paint Objects
        • Baking guide
      • Barra superior
        • Selecione a geometria
      • Painel de ferramentas esquerdo na sala de Retopologia
        • Objetivo geral e função
        • Adicionar geometria
          • Ferramenta Strokes em Retopologia
        • Ferramentas de ajuste de Retopo
        • Ferramentas UV
        • Comandos para sala de Retopologia
      • AUTORETOPO
        • Autopo guide
      • Grupos poli
    • Esculpir
      • Sculpt Layer
      • esculpir árvore
      • Opções de Brush de escultura
      • Top Bar
      • Motor de Brush
      • Submenu Geometria
      • Esculpir o menu “Clique com o botão direito”
      • Shaders
      • modo Voxel
        • Escultura Pura de Voxel
        • Densidade e resolução
        • Máquina de Barro
        • Ferramentas Voxel
        • Ferramentas de superfície em Voxels
        • Ferramentas de ajuste de Voxel
        • Painting Volumétrica
        • Ferramentas de Objetos Voxel
      • Modo de superfície
        • Ferramentas de superfície
        • Ferramentas personalizadas de superfície
        • Ferramentas de ajuste de superfície
        • Painting de superfície
        • Ferramentas de Objetos de Superfície
        • Resolução multinível
          • Multires tools
          • Multires adjust
          • Multires commands
      • Esculpir curvas
        • Curvas Spline
        • Splines model creation
      • Deslocamento do Vetor
      • Ferramentas de transformação de superfície
        • Ferramentas de Transformação Voxel
        • Instancer
        • Move
        • Pose
        • Fit
        • Reproject
        • Surface Array
      • Primitivos Voxel e Ferramentas de Import
      • Booleanos ativos
      • Comandos para a sala Sculpt
      • Import para Sala de Escultura
      • Exportando da sala de esculpir
    • Renderizar
      • Comparison of different roughness values
      • Funções do painel de renderização
      • toca discos
      • Fakebake a iluminação -não PBR-
    • Factures
      • fluxo de trabalho
    • mais simples
    • Modelagem
      • Mesh Menu
      • Painel de ferramentas esquerdo na sala de modelagem
        • Adicionar geometria
          • Selecionado
        • Puxão
        • Smart Hybrid
        • UV
          • Comandos
        • Malha inteira
      • Exemplo de superfície de loft por Fluffy
      • Bloqueio por Poeboi
      • Import Zbrush Polygroups for UV mapping
    • Kitbash - Criação Rápida de Modelos 3D
      • Create kitbash
      • Left tool panel Kitbash
    • 3DPrint
    • Photogrammetry
      • How to install Reality Capture
      • Reality Capture doesn’t show up ?
    • Malha para sala NURBS
    • Nodes
      • Biblioteca de nós de shaders de esculpir
  • API de Scripting e Core API
    • Scripting
    • Core API
    • API do Python
  • 3DCoatPrint gratuita

Comparison of different roughness values

539 views 0

Written by Carlos
November 14, 2024

A render comparison of different roughness values in 3DCoat and Blender by DMG

I was going between 3DC and Blender a bit trying to hit the sweet spot I wanted for something, and I noticed differences between the two renders, especially caused by varying roughness values.

I decided to get a bit scientific about it, so here’s the results of my tinkering.  I used the studio.exr panorama from Blender in both programs for a fair comparison. The 3DCoat environment settings were left at default, but the light was deactivated. The HDRI was normalized when I imported it. The HDRI strength was left at default value in Blender too.

A simple sphere, identical color value in all renders. 

I’m making no judgement as to which renderer is ‘better’. This is just purely for comparison, to see how roughness values appear in each in order to make texturing a bit more predictable.

I did notice that in the HDRI there is a tiny but bright spotlight high up adjacent to the other light, but for some reason this isn’t picked up in the 3DCoat renders. Perhaps it’s just a tiny pinprick and too small to be picked up. I don’t know. There also appears to be a light down low, right of center, but only on the renders for 25% to 40% roughness in the 3DCoat renders. I don’t know where that’s coming from. It isn’t apparent in any of the others.

The rows are: 3DCoat’s GGX, Handpaint, Render; then Blender’s Eevee, Cycles.

* I think the Handpaint render (compared to the GGX one) has slightly lower intensity in the bright highlights, as well as ever so slightly more diffuse reflections when the roughness reached mid-levels. And compared to the 3DCoat render, the bright highlights in the Handpaint render are a touch more intense, and as with the GGX ones, much more defined.

Looking at the Handpaint renders and the Blender Cycles renders, they’re actually very similar. This is excellent.
I feel that if I use the Handpaint preview, I will be seeing a very close approximation of what I’ll get in Blender. So my chart is now redundant, based on the reason I created it in the first place, but it has nevertheless been very useful.

RenderComparisonChart.jpg

The most noticeable differences is that the reflections in the 3DCoat Paint Room preview are a touch more intense than both of Blender’s renders, but the same reflections are a bit feinter in 3DCoat’s Renderer.

Also, at around 35-40% roughness, the 3DCoat Renderer has greater blur on the main reflections near the center, which has almost become a single bright patch, whereas all the others still have two distinct light sources.

Like I said, this isn’t about picking a ‘winner’ or ‘favorite’.  It’s just to help me predict how my textured objects will appear and render in Blender to save time to-ing and fro-ing making adjustments.

Tags:roughness

Was this helpful?

Yes  No
Related Articles
  • Factures
  • ID map
  • Surface Array
  • Top Bar
  • Curves Properties RMB
  • Left tool panel Kitbash
Previously
Renderizar
Up Next
Funções do painel de renderização
AI:
Hi! How can I help you?
Attention: This is a beta version of AI chat. Some answers may be wrong. See full version of AI chat