• Deutsch
  • 3DCoat Dokumentation
  • Chapters
    • Einführung in 3DCoat
    • Einstieg
    • Schnittstelle & Navigation
    • Brush
    • Arbeitsbereiche Räume
    • Scripting und Core API
    • Fragen & Antworten
    • licensing
    • Schulungs-Tutorials
  • Pilgway
  • Products
    • 3DCoat
    • 3DCoatTextura
    • 3DCoatPrint
    • PBRLibrary
  • Blog Posts
  • Store
  • Deutsch Deutsch
    • English English
    • Українська Українська
    • Español Español
    • Français Français
    • 日本語 日本語
    • Русский Русский
    • 한국어 한국어
    • Polski Polski
    • 中文 (中国) 中文 (中国)
    • Português Português
    • Italiano Italiano
    • Suomi Suomi
    • Svenska Svenska
    • 中文 (台灣) 中文 (台灣)
    • Dansk Dansk
    • Slovenčina Slovenčina
    • Türkçe Türkçe
    • Nederlands Nederlands
    • Magyar Magyar
    • ไทย ไทย
    • हिन्दी हिन्दी
    • Ελληνικά Ελληνικά
    • Tiếng Việt Tiếng Việt
    • Lietuviškai Lietuviškai
    • Latviešu valoda Latviešu valoda
    • Eesti Eesti
    • Čeština Čeština
    • Română Română
    • Norsk Bokmål Norsk Bokmål
  • Creating 3D Character Using 3DCoat
  • 3DCoat Dokumentation
  • Chapters
    • Einführung in 3DCoat
    • Einstieg
    • Schnittstelle & Navigation
    • Brush
    • Arbeitsbereiche Räume
    • Scripting und Core API
    • Fragen & Antworten
    • licensing
    • Schulungs-Tutorials
  • Pilgway
  • Products
    • 3DCoat
    • 3DCoatTextura
    • 3DCoatPrint
    • PBRLibrary
  • Blog Posts
  • Store
  • Deutsch Deutsch
    • English English
    • Українська Українська
    • Español Español
    • Français Français
    • 日本語 日本語
    • Русский Русский
    • 한국어 한국어
    • Polski Polski
    • 中文 (中国) 中文 (中国)
    • Português Português
    • Italiano Italiano
    • Suomi Suomi
    • Svenska Svenska
    • 中文 (台灣) 中文 (台灣)
    • Dansk Dansk
    • Slovenčina Slovenčina
    • Türkçe Türkçe
    • Nederlands Nederlands
    • Magyar Magyar
    • ไทย ไทย
    • हिन्दी हिन्दी
    • Ελληνικά Ελληνικά
    • Tiếng Việt Tiếng Việt
    • Lietuviškai Lietuviškai
    • Latviešu valoda Latviešu valoda
    • Eesti Eesti
    • Čeština Čeština
    • Română Română
    • Norsk Bokmål Norsk Bokmål
  • Creating 3D Character Using 3DCoat
Expand All Collapse All
  • Einführung in 3DCoat
  • Einstieg
    • System requirements
    • Why 3DCoat is Unique?
    • 3DCoat aktivieren
    • Fehler beim starten
      • Startup error Mac
    • Color management
    • Upgrading permanent license
    • Linux Setup
      • Linux initial setup per-user installation
      • Linux initial setup for system
      • Tablet setup
      • To GTK3 from GTK2
    • Ordnerstruktur
      • Custom documents folder
    • Verschiedene Formen der „Auflösung“
    • Tablet on Window
    • Import und Export
    • Applinks in 3DCoat
      • Blender -Applink
        • Blender with the Applink in Linux
      • Blender 4.2/3/4/5 applink
      • Max Applink
      • Houdini applink
      • Lightwave uplink
  • Navigation
    • Dialog öffnen (Schnellstartmenü)
    • Navigationsbereich
    • Kamera und Navigation
      • Customize Navigation as Blender
    • Viewport Navigation Gizmo
    • Left tool panel
    •  Activity Bar
    • Navigation mit 3DConnexion-Geräten
      • How to compile Spacenavd on non Ubuntu distro
    • Stylus doesn’t work in sculpting
    • Hotkeys
  • Schnittstelle & Navigation
    • Dateimenü
    • Menü bearbeiten
      • Calculate Curvature
      • Calculate Occlusion
      • Light Baking Tool
      • Einstellungen
    • Ansicht-Menü
    • Symmetrie
    • Textures
    • Calculate
    • Ebenenmenü
    • Menü einfrieren
    • Hide
    • Bake
    • Kurven 2022
      • Kurvenmenü
      • Curves Properties RMB
      • Mit Maschenschicht füllen
      • Scale of imported curves
    • Windows-Menü
      • Windows-Popup-Bedienfelder mit Registerkarten
      • Schieberegler
    • Scripts
    • Addons
    • Capture
    • Hilfemenü
    • Anpassung
    • Raum ändern oder neu erstellen
  • Brush
    • Brush Top-Leiste
    • Bürsten allgemeine Verwendung
      • Erstellen Sie Pinsel und Abziehbilder
      • Aus der aktuellen Skulptur Alpha machen
      • Erstellen Sie einen Brush aus einem 3D-Objekt
      • Create brushes based on Curves
      • Load photoshop .abr brushes
    • Striche
      • Kurven-Popup-Menü
    • Brush
    • Bedingungen-Limiter
    • Streifen-Panel
    • Schablonen-Panel
    • Intelligente Materialien
      • Fügen Sie neue Bilder oder Materialien hinzu
      • Hängen Sie ein Smart-Material an eine Ebene an
      • Import Quixel Material
    • So erstellen Sie Voreinstellungen für Brush
  • Arbeitsbereiche Räume
    • Painting
      • Painting & Modi
        • Per-Pixel Painting
        • Displacement Painting (Mikro-Vertex)
        • Ptex Painting
        • Painting (Polypainting)
      • Importieren in den Painting
        • Initial CC subdivision
        • UV Set smoothing
        • Sharp (hard) edge
        • Normalen sperren
        • Laden Sie nach Modelländerungen ein neues UV Layout
        • DAZ Genesis models into 3DCoat
      • Menüs des Painting Arbeitsbereichs
        • Edit menu
        • Texturen-Menü
          • Baking für Texturen
        • Verstecken
        • Menü für die Bake Paint
        • Der Farbwähler
      • Obere Leiste für das Painting
      • Das Ebenenbedienfeld
        • Das Blending-Panel
        • Layer and Clipping Masks
      • Painting Werkzeuge
      • Deckkraft – Transparenz
      • Arbeitsbereich optimieren
        • Tweak-Toolset
        • Exportieren aus dem Tweak Room
      • Masken-/Materialvorschaufenster
      • Exportieren aus dem Painting
    • UV Arbeitsbereich
      • UV Leiste oben
      • UV Linkes Werkzeugfeld
      • UV Vorschaufenster
      • Beispiel für einen UV Workflow
      • Importieren in den UV Raum
      • Exportieren aus dem UV Raum
    • Retopologie
      • Importieren in den Retopo Raum
      • Retopo Mesh-Menü und Bake-Menü
        • Virtueller Spiegelmodus
      • Bake menu
        • Treat Poly Groups as Paint Objects
        • Baking guide
      • Obere Leiste
        • Geometrie auswählen
      • Linke Werkzeugtafel im Retopologieraum
        • Gesamtzweck und Funktion
        • Geometrie hinzufügen
          • Striche-Werkzeug in Retopology
        • Retopo Tweak-Tools
        • UV Werkzeuge
        • Befehle für den Retopologieraum
      • AUTORETOPO
        • Autopo guide
      • Poly-Gruppen
    • Bildhauen
      • Sculpt Layer
      • Baum formen
      • Brush Optionen
      • Top Bar
      • Brush
      • Geometrie-Untermenü
      • Gestalten Sie das „Rechtsklick“-Menü
      • Shader
      • Voxel Modus
        • Reines Voxel Sculpting
        • Dichte und Auflösung
        • Ton-Motor
        • Voxel -Tools
        • Oberflächenwerkzeuge auf Voxeln
        • Voxel Anpassungswerkzeuge
        • Volumetrische Painting
        • Voxel Objekte-Tools
      • Oberflächenmodus
        • Oberflächenwerkzeuge
        • Benutzerdefinierte Oberflächenwerkzeuge
        • Werkzeuge zur Oberflächenanpassung
        • Painting
        • Werkzeuge für Oberflächenobjekte
        • Mehrstufige Auflösung
          • Multires tools
          • Multires adjust
          • Multires commands
      • Kurven formen
        • Spline-Kurven
        • Splines model creation
      • Vektorverschiebung
      • Werkzeuge zur Oberflächentransformation
        • Voxel Transformationswerkzeuge
        • Instancer
        • Move
        • Pose
        • Fit
        • Reproject
        • Surface Array
      • Voxel Primitive und Import Tools
      • Live-Boolesche Werte
      • Befehle für den Sculpt-Raum
      • In Sculpt Room Import
      • Exportieren aus dem Sculpt Room
    • Machen
      • Comparison of different roughness values
      • Funktionen des Renderbereichs
      • Drehscheibe
      • Fakebake die Beleuchtung – kein PBR–
    • Factures
      • Arbeitsablauf
    • Am einfachsten
    • Modellieren
      • Mesh Menu
      • Linke Werkzeugtafel im Modellierungsraum
        • Geometrie hinzufügen
          • Ausgewählt
        • Optimieren
        • Smart Hybrid
        • UV
          • Befehle
        • Gesamtes Netz
      • Loft-Oberflächenbeispiel von Fluffy
      • Blockout von Poeboi
      • Import Zbrush Polygroups for UV mapping
    • Kitbash - Schnelle Erstellung von 3D-Modellen
      • Create kitbash
      • Left tool panel Kitbash
    • 3DPrint
    • Photogrammetry
      • How to install Reality Capture
      • Reality Capture doesn’t show up ?
    • Mesh zum NURBS-Raum
    • Nodes
      • Sculpt-Shader Nodes Library
  • Scripting und Core API
    • Scripting
    • Core API
    • Python-API
  • Kostenloser 3DCoatPrint

UV Set smoothing

1060 views 0

Written by Carlos
December 5, 2023

When you import a “model for pixel painting ” with 3DCoat, the setting window for import opens.
Among them, there is an item called “Smooth UV set”.

image.png

It is cut off in the image above, but when you try to select this item, the following warning will be displayed.

image.png

So if you select “No subdivision” for “Initial subdivision (number of polygons)” two items above , you will select “No smoothing” here.

Do you want to “subdivide” this? Is it assumed that the CG model you are trying to import into 3DCoat uses a subdivision surface (SDS) ?
That’s what I mean. And if you put UV textures on the SDS model, you will use the “UV smoothing interpolation” function.

“Smoothing UV set” is asked what kind of “UV smoothing interpolation” is performed in the rendering software that uses it after creating a texture with 3DCoat.
Therefore, before importing to 3DCoat, it is necessary to check the distortion using a checker map texture etc. with the rendering software and decide the optimal interpolation method.

This is a correspondence option in between softwares.
In the case of Blender , “UV Smooth” in “Detailed Settings” with the ” Subdivision Surface ” modifier applied from the modifier item:

None / No Smoothing: UVs remain unchanged. UVs are not smoothed, boundaries are keep sharp.
Keep Corners / Smooth but keep corners: UV islands are smoothed, but their boundary (limits) remain unchanged.
Keep Corners, Junctions: UVs are smoothed, corners on discontinuous boundary and junctions of three or more regions are kept sharp.
Keep Corners, Junctions, Concave: UVs are smoothed, corners on discontinuous boundary, junctions of three or more regions and darts and concave corners are kept sharp.
Keep Boundaries / Smooth, Keep Edges: UVs are smoothed, boundaries (UV limits) are kept sharp.
All / Full UV Set Smoothing: UVs and their boundaries (UV limits) are smoothed.

Import for PPP using Uv Set Smoothing options


The initial subdivision (number of polygons) is “2604” (second from the top, equivalent to CC division level 2)
Smooth UV Set is “Preserve Corners and Smooth”

image.png

Then, the mesh model to which SDS is applied is displayed first. If you check the item “Low resolution model” from the “View” menu, the model will be replaced and the mesh model before SDS is applied will be displayed.

image.png

This function is assigned the default shortcut “6” on the character key side, and the model is replaced each time it is pressed.

3DCoat seems to treat the former as “medium resolution mesh” and the latter as “low resolution mesh”. This is indicated in the settings when exporting the model.

image.png

Painting is done with a medium resolution mesh displayed.

The export will be the flow of selecting the low resolution mesh.

What is UV set smoothing doing?

As SDS is subdivided, the vertices move and the texture is distorted, but the theory is that it is distorted in the opposite direction to the distortion at the import stage, and then the distortion is corrected when SDS is applied.

UV Stitching problem between 3DCoat and Blender


If you have an UV Stitching problem between 3DCoat and Blender, I mean, if in 3DCoat texture looks correctly, but when exporting to Blender, Textures looks stitched or distorted, the solution is to Triangulate the faces of the model before importing it from Blender to 3DCoat.

You can triangulate the whole model inside Blender selecting all faces and pressing CTRL + T or you can triangulate it in the import panel inside 3DCoat checking “Triangulate” option.
Also you can triangulate the model after you have done your texturing work, when you bring the model again into Blender from 3DCoat you can do CTRL + T inside Blender, and the Textures will look fine, as seen inside 3DCoat.

It seems that 3DCoat internally triangulates Blender´s Model, so that if you do (6) to look Low Poly Mesh inside 3DCoat it will appear the model before it is subdivided or triangulate inside 3DCoat so the UV Stitching will appear, but it looks fine when the Mid Poly Mesh is seen because it shows the triangulated model

So it seems that paint work in 3DCoat need tris, and to look it correctly inside Blender you also need Tris.

I hope this saves you lots of headaches as I had suffered with this Issue.

Tags:UV set smoothing

Was this helpful?

Yes  No
Related Articles
  • Surface Array
  • Top Bar
  • Curves Properties RMB
  • Left tool panel Kitbash
  • Create kitbash
  • Color management
Previously
Initial CC subdivision
Up Next
Sharp (hard) edge
AI:
Hi! How can I help you?
Attention: This is a beta version of AI chat. Some answers may be wrong. See full version of AI chat